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As the opening volume of the series, it breaks away from traditional myth‑telling. Ancient Chinese mapped the Twenty‑Eight Lunar Mansions and Four Celestial Symbols onto terrestrial mountains and rivers. Primitive people projected celestial movement onto mountain creatures, making all things in Shan‑Hai the earthly reflection of constellations. With comic illustrations, this book sorts the corresponding relations between mythical creatures and stars, revealing the original core of ancient astronomical observation hidden in Shan‑Hai Jing.
Following the Shan‑Hai star system, this volume explores the astronomical origin of Hetu and Luoshu. Hetu‑Luoshu were not mysterious symbols, but mathematical diagrams summarized from long‑term celestial observation by ancient people. The Five Elements and Eight Trigrams were deduced from the motion of heavenly bodies. Using comics, it decodes how star arrangement formed Hetu‑Luoshu principles, explaining the underlying cosmic logic behind Shan‑Hai mythology.
As the concluding volume of the series, it applies astronomical principles to daily time‑keeping. Ancient people divided the Twenty‑Four Solar Terms by observing the periodic motion of the sun, moon and stars; celestial rhythm governed seasonal changes and the circulation of Five‑Element energy. Integrated with Shan‑Hai imagery, this volume shows how star movement shapes solar‑term cycles with comics, explaining ancient calendar wisdom that people arranged life following astronomical rules, which also becomes the cultural foundation of solar‑term‑themed cultural‑creative products.
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